Glass Riot!

An exploration of speculative optics and analog-era industrial design

This poster series began as a graphic experiment: an attempt to evoke the language, typography and surface logic of 1970s camera and film packaging through fictional brands and hardware. The result is a collection of imagined photographic systems that blends product design, typographic play and speculative nostalgia.

Wildkör T. F. 58mm f/0,93 Biofraktal

A white-on-black line-drawn poster showing technical drawings of a camera lens with text descriptions.

This fictional lens design blends ultra-fast portrait glass aesthetics with exaggerated European industrial naming. The layout draws inspiration from East German and Scandinavian manuals, with intentionally ambiguous labeling and off-kilter tech jargon. The typography aims to feel both precise and unplaceable. Functional at first glance, the Biofraktal becomes increasingly strange the longer you look.

Kamiro Photofilm Systems

A poster for a monochrome film brand featuring a greyscale grid and product descriptions.

Light reversed into presence: each frame a complete gesture in silver.

A poster for a monochrome film brand featuring a greyscale grid and product descriptions.

Monochrome tuned for faces: the measured fall of light across form.

A poster for a color film brand featuring a color grid and product descriptions.

A tonal environment for human subjects: where color sings and light listens.

A poster for a color film brand featuring a color grid and product descriptions.

A balanced field of grain and gradient: the everyday in its most lucid form.

A poster for a color film brand featuring a color grid and product descriptions.

Transparency with intent: each hue locked in place and measured by light.

A poster for a color film brand featuring a color grid and product descriptions.

Layered emotion in dual emulsion: memory half-formed, half-fading.

A poster for a color film brand featuring a color grid and product descriptions.

Chromatic intensity at the edge of perception: pushing color past its limit.

A poster for a monochrome film brand featuring a greyscale grid and product descriptions.

Structure captured in static fidelity: diagrammatic clarity rendered in high-density monochrome.

This companion set of posters under the Kamiro identity explores the idea of modular film and imaging systems. Each piece reflects a different component in a speculative analog imaging ecosystem, grounded in clean grid layouts and offset-era print textures.

Design elements reference Japanese camera packaging and datasheets from the late '70s to early '80s, with a focus on matte paper tones, slightly offset color swatches and dense but orderly information hierarchies. The goal was to create something that feels just barely unreal, where a familiar layout gives way to a descriptive logic that gradually defies explanation.